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Monday, August 31, 2020

The View From Monday - August 31, 2020


It's the last Monday in August. Here are today's releases. Full release list and debuts for September will be posted tomorrow.



August 31, 2020
TITLEAUTHORSERIES
The Psychology of Final Fantasy: Surpassing The Limit Break Anthony Bean, PhD (Ed) HC/F
In the Shadows of Men Robert Jackson Bennett GH/F
The Mistakes David Davis AC/SF/HU
Dispersion Greg Egan HSF/SO



D - Debut
e - eBook
Ed - Editor
h2mm - Hardcover to Mass Market Paperback
h2tp - Hardcover to Trade Paperback
Ke - Kindle eBook
ri - reissue or reprint
tp2mm - Trade Paperback to Mass Market Paperback
Tr - Translator



AB - Absurdist
AC - Alien Contact
AH - Alternative History
AP - Apocalyptic
BH - Black Humor
CF - Contemporary Fantasy
CoA - Coming of Age
Cr - Crime
CrM - Crime and Mystery
CW - Contemporary Women
CyP - CyberPunk
DF - Dark Fantasy
Dys - Dystopian
EF - Epic Fantasy
F - Fantasy
FairyT - Fairy Tales
FL - Family Life
FolkT - Folk Tales
FR - Fantasy Romance
GenEng - Genetic Engineering
GH - Ghost(s)
H - Horror
HC - History and Criticism
Hist - Historical
HistF - Historical Fantasy
HistTh - Historical Thriller
HSF - Hard Science Fiction
HU - Humorous
LC - Literary Criticism
LegalTh - Legal Thriller
LF - Literary Fiction
LM - Legend and Mythology
M - Mystery
MR - Magical Realism
MTI - Media Tie-In
Occ - Occult
P - Paranormal
PA - Post Apocalyptic
PCM - Paranormal Cozy Mystery
PM - Paranormal Mystery
PNR - Paranormal Romance
PP - Police Procedural
Psy - Psychological
RF - Romantic Fantasy
SE - Space Exploration
SF - Science Fiction
SO - Space Opera
SP - Steampunk
SpecFic - Speculative Fiction
SS- Short Stories
STR - Small Town and Rural
Sup - Supernatural
SupTh - Supernatural Thriller
Sus - Suspense
TechTh - Technological Thriller
Th - Thriller
TT - Time Travel
UF - Urban Fantasy
VM - Visionary and Metaphysical

Note: Not all genres and formats are found in the books, etc. listed above.

Wednesday, August 26, 2020

Interview with Carole Stivers, author of The Mother Code


Please welcome Carole Stivers to The Qwillery as part of the 2020 Debut Author Challenge Interviews. The Mother Code was published on August 25, 2020 by Berkley.







TQWelcome to The Qwillery. What is the first fiction piece you remember writing?

Carole:  The first fiction piece I remember writing was one I penned in about the fourth grade, called “Carbuncle and I.” The story was based on Sherlock Holmes, but the detective and his assistant were cute and cartoonish. I can’t remember the plot, but a picture I drew of the characters is forever etched in my mind.



TQAre you a plotter, a pantser or a hybrid?

Carole:  I started out as a pantser, but that wasn’t very rewarding—so much work ended up on the cutting room floor! Now I’m a hybrid. I try to start a novel with a clear beginning and end in mind. Then I write my way through, adding beats on a separate sheet as I go along to guide the narrative. This allows things to take surprising turns, while still maintaining the focus of the original theme and desired ending.



TQWhat is the most challenging thing for you about writing?

Carole:  I do lots of research before even starting, which is more like work than fun. Then I slog through getting the first draft on paper. But after that comes the joy, when I get to flesh out the story and get more into the characters, their emotions and motivations. For me, the revision phase is best, knowing that I have something solid to work with and to mold.



TQWhat has influenced / influences your writing?

Carole:  Whenever I start to lose momentum and hope for my work, I find solace in reading good authors. I love new authors who take chances with their writing, like Devi S. Laskar (The Atlas of Reds and Blues) and Rachel Howard (The Risk of Us). And of course I love the greats, like Margaret Atwood, whose prose sinks into the mind so effortlessly, and Isabel Allende, whose worlds are so beautifully built.



TQDescribe The Mother Code using only 5 words.

Carole:  A child discovers his mother.



TQTell us something about The Mother Code that is not found in the book description.

Carole:  Kai is not alone in his quest to decide the fate of his Mother. There are other children, two little girls in particular, who are instrumental in his trajectory. And there are many other important female characters who drive the plot.



TQWhat inspired you to write The Mother Code? What appeals to you about writing Science Fiction.

Carole:  I had the first spark of an idea for The Mother Code while traveling in the desert Southwest with my family in 2003. At the heart of the story, I wanted there to be a reliance by a child on his “Mother” robot in this setting, because, so far as he knew, there was no other life left on the planet. The rest of the story—the origins of the pandemic that set the stage, the origins of the Mothers and their children, the conflict that arose as the children and their Mothers matured and changed, and the few human adults who remained afterward to shepherd the children, all grew out of that original idea.

I was a scientist for many years, and I feel comfortable writing about scientists and laboratory settings. But writing science fiction also allows me to place characters in strange circumstances and watch them fight their way through. By forcing my characters to face the uncanny, I can leverage that “defamiliarization” to ask questions in a fresh way that is not confrontational to the reader and might inspire them to think or feel differently.



TQWhat sort of research did you do for The Mother Code?

Carole:  I travelled to the sites where my story takes place: the San Francisco Presidio, Los Alamos, the desert Southwest, and the Hopi Reservation in Arizona. I took a tour of the Hopi Reservation, talked to current residents about their lives and livelihoods, and read books about Hopi history and tradition.

I researched robotics and AI to develop a picture of what my Mother robots would have to look like, how they would be programmed, and what materials would be used in their construction. For specifics, I consulted with a good friend who is a pilot, a computer systems manager, and a science fiction fan.

I also researched the genetic engineering of human fetuses, innovative bionic prostheses, and advances in man-machine brain interfaces. One difficult issue I faced was how to destroy most of human life on planet Earth, while leaving all else intact. My “IC-NAN” is based on current research in DNA therapeutics at Northwestern University.



TQPlease tell us about the cover for The Mother Code.

Carole:  The cover is meant to depict nurturing in the form of the cupped hands—a protection of something fragile from the hardships of the desert (portrayed in the desert palette colors). The “Mother Code” that directs the hands in their duties is depicted as symbols at the top of the image, which degrade into sand and dust at the bottom of the image to give a sense that the Code itself is fragile.



TQIn The Mother Code who was the easiest character to write and why? The hardest and why?

Carole:  For me, Kai was easiest to write. As a child, Kai is a seeker; he came to the story as a blank slate, learning as he went along. The hardest character for me to write was Rick Blevins, a military man—it was difficult for me to avoid stereotypes when writing him. But the most fun to write was Kendra Jenkins, a character who only occurred to me when I was well into the novel. A problem-solver with a can-do attitude, Kendra is most like me in her approach to life, and she has a quirky side to her that I enjoyed portraying.



TQDoes The Mother Code touch on any social issues?

Carole:  At the time I began work on The Mother Code, I was most concerned about the possible use of bioagents in warfare and what they might inadvertently do if they got out of control. I know that COVID-19 was not developed for warfare. But it has certainly given rise to greater concern about such agents—which I think is a good thing.



TQ:  Which question about The Mother Code do you wish someone would ask? Ask it and answer it!

Carole:

Q: Do you really think that a machine like Rho-Z, Kai’s Mother, could be programmed to care for a child?

A: I think that a machine could definitely be designed that would serve the basic needs of a child. The trick would be the human element, which is key for a child to truly thrive. In The Mother Code, that human element develops in a surprising way. But I believe that such an outcome is indeed probable.



TQGive us one or two of your favorite non-spoilery quotes from The Mother Code.

Carole:  My favorite quotes relate to Kai’s instinctive relationship with his Mother:

“But at night, when they were alone, that feeling was as strong as ever— the feeling that he couldn’t possibly know where he ended, and his Mother began.”

“And he responded, not in words but in song—the song of the Mother Code.”



TQWhat's next?

Carole:  I’m currently working on a tale that I call Invasion of the Body Snatchers meets The Story of Your Life. I only hope it matches up to either of those two classics—especially the second, which was written by the amazing Ted Chiang.



TQThank you for joining us at The Qwillery.





The Mother Code
Berkley, August 25, 2020
Hardcover and eBook, 352 pages

What it means to be human—and a mother—is put to the test in Carole Stivers’s debut novel set in a world that is more chilling and precarious than ever.

The year is 2049. When a deadly non-viral agent intended for biowarfare spreads out of control, scientists must scramble to ensure the survival of the human race. They turn to their last resort, a plan to place genetically engineered children inside the cocoons of large-scale robots—to be incubated, birthed, and raised by machines. But there is yet one hope of preserving the human order: an intelligence programmed into these machines that renders each unique in its own right—the Mother Code.

Kai is born in America’s desert Southwest, his only companion his robotic Mother, Rho-Z. Equipped with the knowledge and motivations of a human mother, Rho-Z raises Kai and teaches him how to survive. But as children like Kai come of age, their Mothers transform too—in ways that were never predicted. And when government survivors decide that the Mothers must be destroyed, Kai is faced with a choice. Will he break the bond he shares with Rho-Z? Or will he fight to save the only parent he has ever known?

Set in a future that could be our own, The Mother Code explores what truly makes us human—and the tenuous nature of the boundaries between us and the machines we create.





About Carole

Photo: © Alan Stivers
Carole Stivers was born in East Cleveland, Ohio. She received her Ph.D. in Biochemistry at the University of Illinois at Urbana-Champaign. She went on to post-doctoral work at Stanford University before launching a career in medical diagnostics. She now lives in California, where she’s combined her love of writing and her fascination with the possibilities of science to create her first novel, The Mother Code.


Website  ~  Facebook


Tuesday, August 18, 2020

Interview with Micaiah Johnson, author of The Space Between Worlds


Please welcome Micaiah Johnson to The Qwillery as part of the 2020 Debut Author Challenge Interviews. The Space Between Worlds was published on August 4, 2020 by Del Rey.







TQWelcome to The Qwillery. What is the first fiction piece you remember writing?

Micaiah:  Noooo, it’s so embarrassing! My grandma had an electric typewriter and I definitely wrote a story where my dogs were detectives who had to solve a chicken’s murder.



TQAre you a plotter, a pantser or a hybrid?

Micaiah:  I am a pantser in denial. I will forever be “about to start” outlining.



TQWhat is the most challenging thing for you about writing?

Micaiah:  You know that news article about the horse who pretends to be dead every time it has to give someone a ride? That’s me with editing. It’s an essential and unavoidable part of my job, and I *hate* it. It’s like listening to my own voice. It’s so painful.



TQWhat has influenced / influences your writing?

Micaiah:  Everything. I see so much of what has surrounded me manifest in my work. It’s not just what I’ve read – though a childhood spent trapped in the car with my grandmother’s murder mystery audiobooks definitely accounts for my love of twists – it’s my desert upbringing mixed with every late-night bar conversation I’ve ever had mixed with that three-legged cat I petted one time. It’s so exciting to be on the third or fourth read-through and suddenly realize “holy crap, I’m describing my second grade teacher’s house” or something.



TQDescribe The Space Between Worlds using only 5 words.

Micaiah:  Girl dies tons, has adventure.



TQTell us something about The Space Between Worlds that is not found in the book description.

Micaiah:  The House! One of my favorite parts about this world is how the sex providers operate as a community resource, which is a spin on how essential these establishments actually were during the “wild” west period.



TQWhat inspired you to write The Space Between Worlds?

Micaiah:  Because of my failure at outlining, I often write toward images. For this book, the image I had was someone walking through the desert and coming upon their own face. I was captivated by it. The desert is such a lonely place. The plant life is low and sparse, so you can never delude yourself that there is anyone around you. You are alone, and you utterly know it. Imagine being in that setting and finally coming up on another human, and that human is you. Their face is your face. Are you still alone? Does this count? I kind of started from there and went off.



TQWhat sort of research did you do for The Space Between Worlds?

Micaiah:  Tons, and all entirely outside of my field. I owe so much to Brian Greene, Carlo Rovelli, and Michio Kaku for being the kind of very smart scientists whose writing is also accessible enough for a lit major to learn something from it.



TQPlease tell us about the cover for The Space Between Worlds.

Micaiah:  The breathtaking American cover for the book is actually an oil painting by artist Cassandre Bolan, and the moment I found out she was my artist I was stoked. I remember her website saying something along the lines of, “I create strong women in fantasy to inspire strong women in reality” and I was instantly like “gimmie gimmie I need it!” I knew featuring two queer women of color on the cover would be audacious, but I couldn’t have predicted it would be so beautiful.



TQIn The Space Between Worlds who was the easiest character to write and why? The hardest and why?

Micaiah:  Exlee was both! I loved writing Exlee, but I also know them and deeply wanted to get them right which paralyzed me. What (very) little nonbinary representation we get is often Eurocentric: straight-bodied white people in monochrome vests. And that is absolutely valid as a nonbinary expression, but it’s not the only valid expression, and pretending it is leaves out cultures where gender expression is more bombastic. Trying to tackle this character with that in mind was a ton of joy and a lot of pressure.



TQDoes The Space Between Worlds touch on any social issues?

Micaiah:  Certainly, I think anytime you are talking about walls – like the walled city in my book – you are actually talking about borders and immigration. Likewise, anytime you are dealing with a super-advanced tech city of the future, you are also talking about Western capitalism and at what cost that advancement has been bought. I would argue that Science Fiction as a genre, by virtue of daring to imagine alternate futures, is always operating in the territory of social issues…even if by omission.



TQWhich question about The Space Between Worlds do you wish someone would ask? Ask it and answer it!

Micaiah:  “Was Dell based on Mr. Darcy from Pride and Prejudice?” so I can scream “YES! YES! THANK YOU FOR NOTICING! YES!”



TQGive us one or two of your favorite non-spoilery quotes from The Space Between Worlds.

Micaiah:

“What they don’t tell you about getting everything you’ve ever wanted is the cold-sweat panic when you think about losing it. For someone who’s never had anything to lose, it’s like drowning, all the time”

“Killing should take longer than a heartbeat. Murder should be unignorable, always.”



TQWhat's next?

Micaiah:  I’m so torn about next steps. Part of me wants to spend more time in this world and with these characters, part of me wants to take a dramatic turn and write horror or a cookbook (which is just saying “horror” again, since I truly can’t cook). I can’t be trusted. I’m easily bored and impossible to satisfy.



TQThank you for joining us at The Qwillery.





The Space Between Worlds
Del Rey, August 4, 2020
Hardcover and eBook, 336 pages

An outsider who can travel between worlds discovers a secret that threatens the very fabric of the multiverse in this stunning debut, a powerful examination of identity, privilege, and belonging.

Gorgeous writingmind-bending world-buildingrazor-sharp social commentary, and a main character who demands your attention—and your allegiance.”—Rob Hart, author of The Warehouse

Multiverse travel is finally possible, but there’s just one catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying—from disease, turf wars, or vendettas they couldn’t outrun. Cara’s life has been cut short on 372 worlds in total.

On this dystopian Earth, however, Cara has survived. Identified as an outlier and therefore a perfect candidate for multiverse travel, Cara is plucked from the dirt of the wastelands. Now what once made her marginalized has finally become an unexpected source of power. She has a nice apartment on the lower levels of the wealthy and walled-off Wiley City. She works—and shamelessly flirts—with her enticing yet aloof handler, Dell, as the two women collect off-world data for the Eldridge Institute. She even occasionally leaves the city to visit her family in the wastes, though she struggles to feel at home in either place. So long as she can keep her head down and avoid trouble, Cara is on a sure path to citizenship and security.

But trouble finds Cara when one of her eight remaining doppelgängers dies under mysterious circumstances, plunging her into a new world with an old secret. What she discovers will connect her past and her future in ways she could have never imagined—and reveal her own role in a plot that endangers not just her world, but the entire multiverse.

“Clever characterssurprise twistsplenty of action, and a plot that highlights social and racial inequities in astute prose.”—Library Journal (starred review)





About Micaiah

Photo: © Rory Vetack
Micaiah Johnson was raised in California’s Mojave Desert surrounded by trees named Joshua and women who told stories. She received her bachelor of arts in creative writing from the University of California, Riverside, and her master of fine arts in fiction from Rutgers University–Camden. She now studies American literature at Vanderbilt University, where she focuses on critical race theory and automatons.

Twitter @micaiah_johnson

Monday, August 17, 2020

GIDEON FALLS - 80-Page Finale this December


MULTIPLE EISNER AWARD WINNING GIDEON FALLS SERIES WILL KEEP READERS GUESSING UNTIL THE VERY END WITH AN 80-PAGE, SHOW-STOPPING FINALE THIS DECEMBER 

PORTLAND, Ore. 08/14/2020 — The Eisner Award winning Gideon Falls by New York Times bestselling writer Jeff Lemire and artist Andrea Sorrentino (the creative team behind Green Arrow and Old Man Logan), with the talents of Eisner Award winning colorist Dave Stewart, will come to its show-stopping conclusion with an extra-length, shelf-busting issue #27. This final, mind-bending issue will clock in at 80 pages and release from Image Comics this December.

The horror/mystery series became an overnight success and critical darling when it launched in March 2018. It went on to take home the 2019 Eisner Award for Best New Series and become one of the top selling, reordered series at Image Comics with multiple reprints.

"We’ve been fortunate to publish a lot of great work by Jeff and his many collaborators—Descender, AD, Plutona, Royal City—but his work with Andrea on Gideon Falls is one of his most incredible storytelling accomplishments to date," said Eric Stephenson, Publisher & Chief Creative Officer at Image Comics. "It’s a true pleasure to see talent of this level complete such an amazing series, not just in the way they intended, but with their most thrilling issue yet!"

Gideon Falls explores the lives of a reclusive young man obsessed with a conspiracy in the city’s trash, and a washed up Catholic Priest arriving in a small town full of dark secrets. At the heart of the town’s secrets is intertwined the mysterious legend of The Black Barn, a otherworldly building that is alleged to have appeared in both the city and the small town, throughout history, bringing death and madness in its wake.

Fans won’t want to miss the satisfaction of this finale. Gideon Falls #27 will be the final issue in the series and will be available at local comic book shops in December.

Gideon Falls is also available for purchase across many digital platforms, including Amazon Kindle, Apple Books, comiXology, and Google Play.

Select praise for Gideon Falls:

"Saturated with a horrific sense of anxiety." —Entertainment Weekly

"Combines avant-garde graphic treatments with outstanding writing." —Boing Boing

“Lemire and Sorrentino will go down as one of the greatest comic teams of all time.” —Brian Michael Bendis

“Visually complex...Quite compelling.” —Impulse Gamer

"A dark, brooding piece of evocative horror." —The Oregonian

"A pure vision of terror." —Comic Book Resources

"If you were a fan of Jeff Lemire and Andrea Sorrentino Green Arrow or Old Man Logan...then check out this original story." —IGN

"Lemire really knocks it out of the park with this comic.." —Bleeding Cool

"[Lemire] doesn’t lose a step here nor does Sorrentino, who is composing here at peak level too." —The Comics Beat

"Truly unique." —Newsarama

"There is nothing else like Gideon Falls on the stands today." —HorrorDNA

"Where Black Science is full of wonder and science, Gideon Falls is just evil. Gideon Falls is the dark multiverse to Black Science." —Monkeys Fighting Robots

"Some of the most beautifully haunting pages I’ve seen." —Black Nerd Problems

"A complex, nuanced, deranged narrative." —Comicon.com

ABOUT IMAGE COMICS
Image Comics is a comic book and graphic novel publisher founded in 1992 by a collective of bestselling artists. Image has since gone on to become one of the largest comics publishers in the United States. Image currently has six individuals on the Board of Directors: Robert Kirkman, Erik Larsen, Todd McFarlane, Marc Silvestri, Jim Valentino, and Eric Stephenson. It consists of five major houses: Todd McFarlane Productions, Top Cow Productions, Shadowline Comics, Skybound Entertainment, and Image Central. Image publishes comics and graphic novels in nearly every genre, sub-genre, and style imaginable. It offers science fiction, fantasy, romance, horror, crime fiction, historical fiction, humor and more by the finest artists and writers working in the medium today. For more information, visit
www.imagecomics.com.

The View From Monday - August 17, 2020


It is yet again Monday.

There is one debut this week:

The Vanished Queen by Lisbeth Campbell.

Clicking on a novel's cover will take you to its Amazon page.



From formerly featured DAC Authors:

The Spin Trilogy: Creation Machine, Iron Gods, Stone Clock by Andrew Bannister (eBook Bundle);

The Titan’s Forest Trilogy: Crossroads of Canopy, Echoes of Understorey, Tides of the Titans by Thoraiya Dyer (eBook Bundle);

Noumenon Ultra (Noumenon 3) by Marina J. Lostetter;

and

A Witch in Time by Constance Sayers is out in Trade Paperback.

Clicking on a novel's cover will take you to its Amazon page.






Debut novels are highlighted in blue. Novels, etc. by formerly featured DAC Authors are highlighted in green.

August 18, 2020
TITLEAUTHORSERIES
The Spin Trilogy: Creation Machine, Iron Gods, Stone Clock (e) Andrew Bannister SF/SO - Spin Trilogy
The Vanished Queen (D) Lisbeth Campbell EF
The Titan’s Forest Trilogy: Crossroads of Canopy, Echoes of Understorey, Tides of the Titans (e) Thoraiya Dyer EF - Titan's Forest
The Water Lily Warriors: A Novel of Senior Survival D.A. Francis Dys
The Quanderhorn Xperimentations (h2tp) Rob Grant
Andrew Marshall
FS/HU/Satire
Scions of the Emperor: An Anthology David Guymer
David Annandale
Guy Haley
Ian St. Martin
Gav Thorpe
Darius Hinks
James Swallow
Chris Wraight
SF/SO - The Horus Heresy: Primarchs Anthology
Avenging Son Guy Haley SF - Warhammer 40,000: Dawn of Fire 1
The Daughters of Temperance Hobbs (h2tp) Katherine Howe Occ/Sup/CW
New Spring (ri) Robert Jordan EF - Wheel of Time 15
Unwitting Street: Stories Sigizmund Krzhizhanovsky SS/LF/Politcal
A Single Light (h2tp) Tosca Lee Sus - Line Between 2
The Haunted (ri) Bentley Little H/Sus/FL
Noumenon Ultra Marina J. Lostetter SF/SO - Noumenon 3
Electric Breakfast Paul Meloy H/F - Collection
Blood World Chris Mooney TechTh/SF/HSF/Dys
How to Rule an Empire and Get Away with It K. J. Parker EF/HU
The Hex Is In: The Fast Life and Fantastic Times of Harry the Book Mike Resnick UF - Collection
Kal Jerico: Sinner's Bounty Josh Reynolds SF/AP/PA - Necromunda
The Foe of Barnabas Collins Marylin Ross Occ/Gothic - Dark Shadows the Complete Paperback Library Reprint Book 9
The Phantom and Barnabas Collins Marylin Ross Occ/Gothic - Dark Shadows the Complete Paperback Library Reprint Book 10
The Organs of Sense (h2tp) Adam Ehrlich Sachs LF/Hist
A Witch in Time (h2tp) Constance Sayers Occ/Sup/HistF/CW
Corpselight Angela Slatter UF/P/Cr - Verity Fassbinder 2
The Buried Dagger James Swallow SF/SO - Horus Heresy 54
The Doors of Eden (e) Adrian Tchaikovsky SF/GenEng
Drowned Country Emily Tesh Gaslamp/RF/Gay - The Greenhollow Duology 2
The First Wall Gav Thorpe SF/SO - The Horus Heresy: Siege of Terra 3
Final Fantasy I * II * III: Memory of Heroes Takashi Umemura SF
The Jackal J.R. Ward PNR - Black Dagger Brotherhood: Prison Camp 1
Bloodlines Chris Wraight Cr - Warhammer 40,000



August 19, 2020
TITLEAUTHORSERIES
Flight: A Tor.com Original (e) Claire Wrenwood F/DF



August 20, 2020
TITLEAUTHORSERIES
World Engines: Creator (e) Stephen Baxter SF/HSF
The House of Styx (e) Derek Künsken SF - Venus Ascendant 1



D - Debut
e - eBook
Ed - Editor
h2mm - Hardcover to Mass Market Paperback
h2tp - Hardcover to Trade Paperback
Ke - Kindle eBook
ri - reissue or reprint
tp2mm - Trade Paperback to Mass Market Paperback
Tr - Translator



AB - Absurdist
AC - Alien Contact
AH - Alternative History
AP - Apocalyptic
CF - Contemporary Fantasy
CoA - Coming of Age
Cr - Crime
CW - Contemporary Women
CyP - CyberPunk
DF - Dark Fantasy
Dys - Dystopian
F - Fantasy
FairyT - Fairy Tales
FL - Family Life
FolkT - Folk Tales
FR - Fantasy Romance
GenEng - Genetic Engineering
GH - Ghost(s)
H - Horror
HC - History and Criticism
Hist - Historical
HistF - Historical Fantasy
HistTh - Historical Thriller
HSF - Hard Science Fiction
HU - Humorous
LC - Literary Criticism
LF - Literary Fiction
LM - Legend and Mythology
LMF - Legends, Myths, Fables
M - Mystery
MR - Magical Realism
MTI - Media Tie-In
Occ - Occult
P - Paranormal
PA - Post Apocalyptic
PCM - Paranormal Cozy Mystery
PNR - Paranormal Romance
PolTh - Political Thriller
PopCul - Popular Culture
Psy - Psychological
RF - Romantic Fantasy
ScF - Science Fantasy
SE - Space Exploration
SF - Science Fiction
SFR - Science Fiction Romance
SH - Superheroes
SO - Space Opera
SP - Steampunk
SpecFic - Speculative Fiction
STR - Small Town and Rural
Sup - Supernatural
SupM - Supernatural Mystery
SupTh - Supernatural Thriller
Sus - Suspense
TechTh - Technological Thriller
Th - Thriller
UF - Urban Fantasy
VM - Visionary and Metaphysical

Note: Not all genres and formats are found in the books, etc. listed above.

Tuesday, August 11, 2020

The View From Monday (on Tuesday) - August 11, 2020


Happy Belated Monday! We have power and internet again after the tropical storm. I have friends who still don't have power after 1 week and a heat wave started yesterday! What a mess!


There are 2 debuts this week:

Bystander 27 by Rik Hoskin

and

We Are the Dead by Mike Shackle.



From formerly featured DAC Authors:

The Machine Dynasty Omnibus by Madeline Ashby;

Failed State (Dystopian Lawyer 2) by Christopher Brown;

The Last Uncharted Sky (The Risen Kingdoms 3) by Curtis Craddock;

The Tyrant Baru Cormorant (The Masquerade 3) by Seth Dickinson;

and

Dragon Heart by Peter Higgins.






Debut novels are highlighted in blue. Novels, etc. by formerly featured DAC Authors are highlighted in green.

August 10, 2020
TITLEAUTHORSERIES
Magic Study (e) Maria V. Snyder RF - The Chronicles of Ixia 2



August 11, 2020
TITLEAUTHORSERIES
Neverland's Library: A Library Anthology Alana Joli Abbott (Ed) F - Anthology
Triumff (ri) Dan Abnett HistF/HU
A Chorus of Fire Brian D. Anderson F/EF - The Sorcerer's Song 2
Jest Right Piers Anthony F/HU - Magic of Xanth 43
The Machine Dynasty Omnibus (e) Madeline Ashby SF/HSF
Tijaran Tales: The Complete Series Francesca T. Barbini SF
Stage Fright (ri) Garrett Boatman H - Paperbacks from Hell
A Traveler at the Gates of Wisdom John Boyne Hist/Sagas/LF
CTRL S Andy Briggs SF/AP/PA
Failed State Christopher Brown Dys - Dystopian Lawyer 2
Legacy of Vale (Ke) Rhett C. Bruno SF - The Circuit Saga 2
A Private Cathedral James Lee Burke Sus - Dave Robicheaux 23
Fantasy from Asia and the Asian Diaspora: A Tordotcom Novella Sampler (e) Zen Cho
Saad Z. Hossain
S. L. Huang
Nghi Vo
JY Neon Yang
F - Sampler Collection
Jonathan Strange & Mr Norrell (ri) Susanna Clarke F
The Last Uncharted Sky Curtis Craddock F/SP - The Risen Kingdoms 3
Mirage Julie E. Czerneda SF/SO/HSF/AC - Web Shifter's Library 2
The Tyrant Baru Cormorant Seth Dickinson EF - The Masquerade 3
The Invisible Seb Doubinsky Dys/Noir - City-States Cycle
Mums and Mayhem Amanda Flower PCM - Magic Garden Mystery 3
Flights of Marigold Susan Forest F - Addicted to Heaven 2
After Siege (e) Rhiannon Frater H/AP/PA - As The World Dies 4
Twenty After Midnight Daniel Galera
Julia Sanches (Tr)
LF/CoA/Dys
Dragon Heart Peter Higgins F/LF/AP/PA
Stoker's Wilde West Steven Hopstaken
Melissa Prusi
HistF - Fiction Without Frontiers
Bystander 27 (D) Rik Hoskin F/DF
The Eye of the World (ri) Robert Jordan EF - Wheel of Time 1
This Little Light: A Novel Lori Lansens F/Dys/CoA/Political
Knight of Stars Tom Lloyd EF - God Fragments
More Beautiful Than Death David Mack SF - Star Trek
The Shadow Commission David Mack HistF/Occ/Sup/DF - Dark Arts 3
Son of the Shadows (ri) Juliet Marillier HistF/FairyT/FolkT/LM - Sevenwaters Trilogy 2
Luna: Moon Rising (h2tp) Ian McDonald SF/SE/HSF/SO - Luna 3
Sorcery of a Queen  Brian Naslund F/EF - Dragons of Terra 2
Debt of Loyalty Christopher G. Nuttall SF/M/SO - Embers of War 2
The Apocalypse Strain Jason Parent SF - Fiction Without Frontiers
Cry of Metal & Bone L. Penelope HistF/RF - Earthsinger Chronicles 3
From Divergent Suns Sam Peters SF/CrM - From Darkest Skies 3
Episodes Christopher Priest SF/LF
The Secret of Barnabas Collins Marylin Ross Occ/Gothic - Dark Shadows the Complete Paperback Library Reprint Volume 7
The Demon of Barnabas Collins Marylin Ross Occ/Gothic - Dark Shadows the Complete Paperback Library Reprint Volume 8
Disappear Doppelgänger Disappear Matthew Salesses LF/AB
We Are The Dead (D) Mike Shackle EF - Last War 1
Island Johanna Skibsrud VM/LF/Political
By Force Alone Lavie Tidhar F/Arthurian
The Burning White (h2tp) Brent Weeks EF/HistF - Lightbringer 5
The Wizard Knight (Tor Essentials) Gene Wolfe EF - The Wizard Knight



August 12, 2020
TITLEAUTHORSERIES
Exile's End: A Tor.com Original (e) Carolyn Ives Gilman SF



August 14, 2020
TITLEAUTHORSERIES
Driftwood Marie Brennan F - Driftwood 1



D - Debut
e - eBook
Ed - Editor
h2mm - Hardcover to Mass Market Paperback
h2tp - Hardcover to Trade Paperback
Ke - Kindle eBook
ri - reissue or reprint
tp2mm - Trade Paperback to Mass Market Paperback
Tr - Translator



AB - Absurdist
AC - Alien Contact
AH - Alternative History
AP - Apocalyptic
CF - Contemporary Fantasy
CoA - Coming of Age
Cr - Crime
CW - Contemporary Women
CyP - CyberPunk
DF - Dark Fantasy
Dys - Dystopian
F - Fantasy
FairyT - Fairy Tales
FL - Family Life
FolkT - Folk Tales
FR - Fantasy Romance
GenEng - Genetic Engineering
GH - Ghost(s)
H - Horror
HC - History and Criticism
Hist - Historical
HistF - Historical Fantasy
HistTh - Historical Thriller
HSF - Hard Science Fiction
HU - Humorous
LC - Literary Criticism
LF - Literary Fiction
LM - Legend and Mythology
LMF - Legends, Myths, Fables
M - Mystery
MR - Magical Realism
MTI - Media Tie-In
Occ - Occult
P - Paranormal
PA - Post Apocalyptic
PCM - Paranormal Cozy Mystery
PNR - Paranormal Romance
PolTh - Political Thriller
PopCul - Popular Culture
Psy - Psychological
RF - Romantic Fantasy
ScF - Science Fantasy
SE - Space Exploration
SF - Science Fiction
SFR - Science Fiction Romance
SH - Superheroes
SO - Space Opera
SP - Steampunk
SpecFic - Speculative Fiction
STR - Small Town and Rural
Sup - Supernatural
SupM - Supernatural Mystery
SupTh - Supernatural Thriller
Sus - Suspense
TechTh - Technological Thriller
Th - Thriller
UF - Urban Fantasy
VM - Visionary and Metaphysical

Note: Not all genres and formats are found in the books, etc. listed above.

Monday, August 03, 2020

The View From Monday - August 3, 2020


It is the first Monday in August. Time flies even when you are not having fun!

There are 4 debuts this week:

Tender is the Flesh by Agustina Bazterrica with Sarah Moses (Translator);

Every Bone a Prayer by Ashley Blooms;

The Space Between Worlds by Micaiah Johnson;

and

The First Sister (The First Sister Trilogy 1) by Linden A. Lewis.

Clicking on a novel's cover will take you to its Amazon page.



From formerly featured DAC Authors:

Warlock Holmes - The Finality Problem (Warlock Holmes 5) by G.S. Denning;

A Cosmology of Monsters by Shaun Hamill is out in Trade Paperback;

The Blood of Whisperers (Vengeance Trilogy 1) by Devin Madson;

The Gods of Vice (Vengeance Trilogy 2) by Devin Madson;

The Grave at Storm's End (Vengeance Trilogy 2) by Devin Madson;

The Starless Sea by Erin Morgenstern is out in Trade Papeback;

and

The Black Song (Raven's Blade 2) by Anthony Ryan.

Clicking on a novel's cover will take you to its Amazon page.






Debut novels are highlighted in blue. Novels, etc. by formerly featured DAC Authors are highlighted in green.

August 3, 2020
TITLEAUTHORSERIES
The Immortal City (e) May Peterson FR - The Sacred Dark 2



August 4, 2020
TITLEAUTHORSERIES
Stake Kevin J. Anderson H
Spine of the Dragon (h2tp) Kevin J. Anderson EF - Wake the Dragon 1
The Redemption of Time: A Three-Body Problem Novel Baoshu
Ken Liu (Tr)
SF/AC/HSF - Remembrance of Earth's Past 4
Tender Is the Flesh (D - English) Agustina Bazterrica
Sarah Moses (Tr)
LF
Every Bone a Prayer (D) Ashley Blooms Southern/CW/MR/STR
Space Station Down Ben Bova
Doug Beason
SF/Th/Terrorism
Mind of My Mind (ri) Octavia E. Butler SF/GenEng/EF/CF/LF - Patternist  2
What Happens at Night Peter Cameron LF/BH/Gothic/FL
Parasite Darcy Coates H/SF/AC/SupTh
The Haunting of Gillespie House Darcy Coates H/GH/Occ/Sup/Gothic/SupTh
Cosmic Corsairs Hank Davis (Ed) SF - Anthology
The Hollow Ones Guillermo del Toro
Chuck Hogan
SupTh/PP/Sus/GH/Gothic - Blackwood Tapes
Warlock Holmes - The Finality Problem G.S. Denning Cr/F/HU - Warlock Holmes 5
The Death of Vivek Oji Akwaeke Emezi FL/LF/CoA
Dark Illusion (h2mm) Christine Feehan PNR/DF - Carpathian 33
1636: The Atlantic Encounter Eric Flint
Walter H. Hunt
SF/TT - Ring of Fire 28
Uncanny Bodies Pippa Goldschmidt (Ed)
Gill Haddow (Ed)
Fadhila Mazanderani (Ed)
SpecFic - Anthology
A Cosmology of Monsters (h2tp) Shaun Hamill H/DF/FL
Sucker Punch Laurell K. Hamilton P/UF/H - Anita Blake, Vampire Hunter 27
Ghost Ups Her Game Carolyn Hart PCM/GH - Bailey Ruth Raeburn 9
Smoke in the Glass Chris Humphreys SF/HistF/DF - Immortal's Blood 1
The Space Between Worlds (D) Micaiah Johnson SF/LF/CrM
Weird Women: Classic Supernatural Fiction by Groundbreaking Female Writers: 1852-1923 Leslie S. Klinger (Ed)
Lisa Morton (Ed)
Sup - Anthology
Days of Burning, Days of Wrath Tom Kratman SF/Military - Carerra 8
Seven Devils Laura Lam
Elizabeth May
SF/SO/GenEng
The First Sister (D) Linden A. Lewis SF/SO - The First Sister Trilogy 1
Vanessa Yu's Magical Paris Tea Shop Roselle Lim Asian American/CW/MR
Trials of the Mortal Realm Graeme Lyon
Jamie Crisalli
Nick Horth
F - Warhammer: Age of Sigmar
The Blood of Whisperers Devin Madson F/DF/EF - Vengeance Trilogy 1
The Grave at Storm's End Devin Madson F/DF/EF - Vengeance Trilogy 3
The Gods of Vice Devin Madson F/DF/EF - Vengeance Trilogy 2
Fire & Blood: 300 Years Before A Game of Thrones (h2tp) George R. R. Martin EF - A Song of Ice and Fire
The Wellstone Wil McCarthy SF/HSF
The Starless Sea (h2tp) Erin Morgenstern CW/FR/HistF
Harrow the Ninth Tamsyn Muir SF/SO/EF - The Locked Tomb Trilogy 2
Eutopia: A Novel of Terrible Optimism (e) David Nickle HistTh/HistF/H - The Book of the Juke 1
Volk: A Novel of Radiant Abomination (e) David Nickle HistTh/HistF/H - The Book of the Juke 2
Bayou's Lament (e) Cheryl Owen-Wilson DF/H - Labyrinth of Souls
Rules for Being Dead Kim Powers Gay/CoA/GH/FL
The Witch House Ann Rawson Occ/H/Psy
Chasm City (ri) Alastair Reynolds SF/HSF/SE/SO - Inhibitor 2
Century Rain (ri) Alastair Reynolds SF/HSF/SE/SO
Mr Campion's Seance Mike Ripley PM/GH - An Albert Campion Mystery 7
The Living Dead George A. Romero
Daniel Kraus
H/SupTh
The Day Lincoln Lost Charles Rosenberg AH/HistTh/LegalTh
The Trial and Execution of the Traitor George Washington (h2tp) Charles Rosenberg AH/HistTh/LegalTh
The Black Song Anthony Ryan EF/DF - Raven's Blade 2
Hobbit Virtues: Rediscovering Virtue Ethics Through J. R. R. Tolkien's The Hobbit and The Lord of the Rings Christopher A. Snyder Philosophy
The Deep Rivers Solomon
Daveed Diggs
William Hutson
Jonathan Snipes
SF
Ten Arrows of Iron Sam Sykes EF/HU - Grave of Empires 2
Indomitus Gav Thorpe SF/SE - Warhammer 40,000
Heirs of Locksley Carrie Vaughn F/HistF
Imperium at War Danie Ware SF - Warhammer 40,000
The Dragon Corsairs: Spymaster, Privateer, Kingmaker (e) Margaret Weis
Robert Krammes
F/SP - The Dragon Corsairs
Profit's Ruin C L Werner F - Warhammer: Age of Sigmar
Otherland: City of Golden Shadow (ri) Tad Williams SF/CyP/HSF - Otherland 1



August 6, 2020
TITLEAUTHORSERIES
Shadow in the Empire of Light (e) Jane Routley F



D - Debut
e - eBook
Ed - Editor
h2mm - Hardcover to Mass Market Paperback
h2tp - Hardcover to Trade Paperback
Ke - Kindle eBook
ri - reissue or reprint
tp2mm - Trade Paperback to Mass Market Paperback
Tr - Translator



AB - Absurdist
AC - Alien Contact
AH - Alternative History
AP - Apocalyptic
CF - Contemporary Fantasy
CoA - Coming of Age
Cr - Crime
CW - Contemporary Women
CyP - CyberPunk
DF - Dark Fantasy
Dys - Dystopian
F - Fantasy
FairyT - Fairy Tales
FL - Family Life
FolkT - Folk Tales
FR - Fantasy Romance
GenEng - Genetic Engineering
GH - Ghost(s)
H - Horror
HC - History and Criticism
Hist - Historical
HistF - Historical Fantasy
HistTh - Historical Thriller
HSF - Hard Science Fiction
HU - Humorous
LC - Literary Criticism
LF - Literary Fiction
LM - Legend and Mythology
LMF - Legends, Myths, Fables
M - Mystery
MR - Magical Realism
MTI - Media Tie-In
Occ - Occult
P - Paranormal
PA - Post Apocalyptic
PCM - Paranormal Cozy Mystery
PNR - Paranormal Romance
PolTh - Political Thriller
PopCul - Popular Culture
Psy - Psychological
RF - Romantic Fantasy
ScF - Science Fantasy
SE - Space Exploration
SF - Science Fiction
SFR - Science Fiction Romance
SH - Superheroes
SO - Space Opera
SP - Steampunk
SpecFic - Speculative Fiction
STR - Small Town and Rural
Sup - Supernatural
SupM - Supernatural Mystery
SupTh - Supernatural Thriller
Sus - Suspense
TechTh - Technological Thriller
Th - Thriller
UF - Urban Fantasy
VM - Visionary and Metaphysical

Note: Not all genres and formats are found in the books, etc. listed above.

Sunday, August 02, 2020

2020 Hugo, Lodestar, Astounding, and 1945 Retro-Hugo Awards - Winners


Winners for the Hugo Awards, for the Lodestar for Best Young Adult Book, and for the Astounding Award for Best New Writer have been announced at CoNZealand, the 78th Worldcon.Winners of the Retro Hugo Awards for 1945 also have been announced.

Please note the CoNZealand was held virtually due to the pandemic. DisCon III, the 79th World Science Fiction Convention, will be held in Washington, DC, August 25 - August 29, 2021.

Winner in green.




2020 Hugo Awards - Winners

Best Novel
  • The City in the Middle of the Night, Charlie Jane Anders (Tor; Titan)
  • Gideon the Ninth, Tamsyn Muir (Tor.com Publishing)
  • The Light Brigade, Kameron Hurley (Saga; Angry Robot UK)
  • A Memory Called Empire, Arkady Martine (Tor; Tor UK)
  • Middlegame, Seanan McGuire (Tor.com Publishing)
  • The Ten Thousand Doors of January, Alix E. Harrow (Redhook; Orbit UK)


Best Novella
  • “Anxiety Is the Dizziness of Freedom”, Ted Chiang (Exhalation Borzoi/Alfred A. Knopf; Picador)))
  •  The Deep, Rivers Solomon, with Daveed Diggs, William Hutson & Jonathan Snipes (Saga Press)
  • The Haunting of Tram Car 015, P. Djèlí Clark (Tor.com Publishing)
  • In an Absent Dream, Seanan McGuire (Tor.com Publishing)
  • This Is How You Lose the Time War, Amal El-Mohtar & Max Gladstone (Saga Press; Jo Fletcher Books)
  • To Be Taught, If Fortunate, Becky Chambers (Harper Voyager; Hodder & Stoughton)


Best Novelette
  • “The Archronology of Love”, Caroline M. Yoachim (Lightspeed 4/19)
  • “Away with the Wolves”, Sarah Gailey (Uncanny Magazine: Disabled People Destroy Fantasy Special Issue, September/October 2019)
  • “The Blur in the Corner of Your Eye”, Sarah Pinsker (Uncanny Magazine, July/August 2019 7-8/19)
  • “Emergency Skin”, N.K. Jemisin (Forward Collection (Amazon))
  • “For He Can Creep”, Siobhan Carroll (Tor.com, July 10, 2019)
  • “Omphalos”, Ted Chiang (Exhalation (Borzoi/Alfred A. Knopf; Picador))


Best Short Story
  • “And Now His Lordship Is Laughing”, Shiv Ramdas (Strange Horizons September 9, 2019)
  • “As the Last I May Know”, S.L. Huang (Tor.com, October 23, 2019)
  • “Blood Is Another Word for Hunger”, Rivers Solomon (Tor.com, July 24, 2019)
  • “A Catalog of Storms”, Fran Wilde (Uncanny Magazine, Janusry/February 2019) 
  • “Do Not Look Back, My Lion”, Alix E. Harrow (Beneath Ceaseless Skies,  January 2019)
  • “Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island”, Nibedita Sen (Nightmare Magazine, May 2019)


Best Series
  • The Expanse, James S.A. Corey (Orbit US; Orbit UK)
  • InCryptid, Seanan McGuire (DAW)
  • Luna, Ian McDonald (Tor; Gollancz)
  • Planetfall, Emma Newman (Ace; Gollancz)
  • Winternight, Katherine Arden (Del Rey; Del Rey UK)
  • The Wormwood Trilogy, Tade Thompson (Orbit US; Orbit UK)


Best Related Work
  • Becoming Superman: My Journey From Poverty to Hollywood, J. Michael Straczynski (Harper Voyager US)
  • Joanna Russ, Gwyneth Jones (University of Illinois Press (Modern Masters of Science Fiction))
  • The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick, Mallory O’Meara (Hanover Square)
  • The Pleasant Profession of Robert A Heinlein, Farah Mendlesohn (Unbound)
  • “2019 John W. Campbell Award Acceptance Speech”, Jeannette Ng (Dublin 2019 — An Irish Worldcon)
  • Worlds of Ursula K. Le Guin, produced and directed by Arwyn Curry


Best Graphic Story or Comic
  • Die, Volume 1: Fantasy Heartbreaker, by Kieron Gillen and Stephanie Hans, letters by Clayton Cowles (Image)
  • LaGuardia, written by Nnedi Okorafor, illustrated by Tana Ford, colors by James Devlin (Berger Books/Dark Horse)
  • Monstress, Volume 4: The Chosen, written by Marjorie Liu, illustrated by Sana Takeda (Image)
  • Mooncakes, Wendy Xu and Suzanne Walker, letters by Joamette Gil (Oni Press; Lion Forge)
  • Paper Girls, Volume 6, written by Brian K. Vaughan, drawn by Cliff Chiang, colors by Matt Wilson, letters by Jared K. Fletcher (Image)
  • The Wicked + The Divine, Volume 9: Okay, written by Kieron Gillen, illustrated by Jamie McKelvie, colors by Matt Wilson, letters by Clayton Cole (Image Comics)


Best Dramatic Presentation, Long Form
  • Avengers: Endgame, screenplay by Christopher Markus and Stephen McFeely, directed by Anthony Russo and Joe Russo (Marvel Studios)
  • Captain Marvel, screenplay by Anna Boden, Ryan Fleck and Geneva Robertson-Dworet, directed by Anna Boden and Ryan Fleck (Walt Disney Pictures/Marvel Studios/Animal Logic (Australia))
  • Good Omens, written by Neil Gaiman, directed by Douglas Mackinnon (Amazon Studios/BBC Studios/Narrativia/The Blank Corporation)
  • Russian Doll (Season One), created by Natasha Lyonne, Leslye Headland and Amy Poehler, directed by Leslye Headland, Jamie Babbit and Natasha Lyonne (3 Arts Entertainment/Jax Media/Netflix/Paper Kite Productions/Universal Television)
  • Star Wars: The Rise of Skywalker, screenplay by Chris Terrio and J.J. Abrams, directed by J.J. Abrams (Walt Disney Pictures/Lucasfilm/Bad Robot)
  • Us, written and directed by Jordan Peele (Monkeypaw Productions/Universal Pictures)


Best Dramatic Presentation, Short Form
  • The Good Place: “The Answer”, written by Daniel Schofield, directed by Valeria Migliassi Collins (Fremulon/3 Arts Entertainment/Universal Television)
  • The Expanse: “Cibola Burn”, written by Daniel Abraham & Ty Franck and Naren Shankar, directed by Breck Eisner (Amazon Prime Video)
  • Watchmen: “A God Walks into Abar”, written by Jeff Jensen and Damon Lindelof, directed by Nicole Kassell (HBO)
  • The Mandalorian: “Redemption”, written by Jon Favreau, directed by Taika Waititi (Disney+)
  • Doctor Who: “Resolution”, written by Chris Chibnall, directed by Wayne Yip (BBC)
  • Watchmen: “This Extraordinary Being”, written by Damon Lindelof and Cord Jefferson, directed by Stephen Williams (HBO)


Best Editor, Short Form
  • Neil Clarke
  • Ellen Datlow
  • C.C. Finlay
  • Jonathan Strahan
  • Lynne M. Thomas & Michael Damian Thomas
  • Sheila Williams


Best Editor, Long Form
  • Sheila E. Gilbert
  • Brit Hvide
  • Diana M. Pho
  • Devi Pillai
  • Miriam Weinberg
  • Navah Wolfe


Best Professional Artist
  • Tommy Arnold
  • Rovina Cai
  • Galen Dara
  • John Picacio
  • Yuko Shimizu
  • Alyssa Winans


Best Semiprozine
  • Beneath Ceaseless Skies, editor Scott H. Andrews
  • Escape Pod, editors Mur Lafferty and S.B. Divya, assistant editor Benjamin C. Kinney, audio producers Adam Pracht and Summer Brooks, hosts Tina Connolly and Alasdair Stuart
  • Fireside Magazine, editor Julia Rios, managing editor Elsa Sjunneson, copyeditor Chelle Parker, social coordinator Meg Frank, publisher and art director Pablo Defendini, founding editor Brian White
  • FIYAH Magazine of Black Speculative Fiction, executive editor Troy L. Wiggins, editors Eboni Dunbar, Brent Lambert, L.D. Lewis, Danny Lore, Brandon O’Brien and Kaleb Russell
  • Strange Horizons, Vanessa Rose Phin, Catherine Krahe, AJ Odasso, Dan Hartland, Joyce Chng, Dante Luiz and the Strange Horizons staff
  • Uncanny Magazine, editors-in-chief Lynne M. Thomas and Michael Damian Thomas, nonfiction/managing editor Michi Trota, managing editor Chimedum Ohaegbu, podcast producers Erika Ensign and Steven Schapansky


Best Fanzine
  • The Book Smugglers, editors Ana Grilo and Thea James
  • Galactic Journey, founder Gideon Marcus, editor Janice Marcus, senior writers Rosemary Benton, Lorelei Marcus and Victoria Silverwolf
  • Journey Planet, editors James Bacon, Christopher J Garcia, Alissa McKersie, Ann Gry, Chuck Serface, John Coxon and Steven H Silver
  • nerds of a feather, flock together, editors Adri Joy, Joe Sherry, Vance Kotrla, and The G
  • Quick Sip Reviews, editor Charles Payseur
  • The Rec Center, editors Elizabeth Minkel and Gavia Baker-Whitelaw


Best Fancast
  • Be The Serpent, presented by Alexandra Rowland, Freya Marske and Jennifer Mace
  • Claire Rousseau’s YouTube channel, produced & presented by Claire Rousseau
  • The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
  • Galactic Suburbia, presented by Alisa Krasnostein, Alexandra Pierce and Tansy Rayner Roberts, producer Andrew Finch
  • Our Opinions Are Correct, presented by Annalee Newitz and Charlie Jane Anders
  • The Skiffy and Fanty Show, presented by Jen Zink and Shaun Duke


Best Fan Writer
  • Cora Buhlert
  • James Davis Nicoll
  • Alasdair Stuart
  • Bogi Takács
  • Paul Weimer
  • Adam Whitehead


Best Fan Artist
  • Iain Clark
  • Sara Felix
  • Grace P. Fong
  • Meg Frank
  • Ariela Housman
  • Elise Matthesen


Lodestar Award for Best Young Adult Book (Not a Hugo)
  • Catfishing on CatNet, by Naomi Kritzer (Tor Teen)
  • Deeplight, by Frances Hardinge (Macmillan)
  • Dragon Pearl, by Yoon Ha Lee (Disney/Hyperion)
  • Minor Mage, by T. Kingfisher (Argyll)
  • Riverland, by Fran Wilde (Amulet)
  • The Wicked King, by Holly Black (Little, Brown; Hot Key)


Astounding Award for Best New Writer sponsored by Dell Magazine (Not a Hugo)
  • Sam Hawke (2nd year of eligibility)
  • R.F. Kuang (2nd year of eligibility)
  • Jenn Lyons (1st year of eligibility)
  • Nibedita Sen (2nd year of eligibility)
  • Tasha Suri (2nd year of eligibility)
  • Emily Tesh (1st year of eligibility)




1945 Retro-Hugo Awards

Best Novel
  • The Golden Fleece, by Robert Graves (Cassell)
  • Land of Terror, by Edgar Rice Burroughs (Edgar Rice Burroughs, Inc.)
  • “Shadow Over Mars” (The Nemesis from Terra), by Leigh Brackett (Startling Stories, Fall 1944)
  • Sirius: A Fantasy of Love and Discord, by Olaf Stapledon (Secker & Warburg)
  • The Wind on the Moon, by Eric Linklater (Macmillan)
  • “The Winged Man”, by A.E. van Vogt and E. Mayne Hull (Astounding Science Fiction, May-June 1944)


Best Novella
  • “The Changeling”, by A.E. van Vogt (Astounding Science Fiction, April 1944)
  • “A God Named Kroo”, by Henry Kuttner (Thrilling Wonder Stories, Winter 1944)
  • “Intruders from the Stars”, by Ross Rocklynne (Amazing Stories, January 1944)
  • “The Jewel of Bas”, by Leigh Brackett (Planet Stories, Spring 1944)
  • “Killdozer!”, by Theodore Sturgeon (Astounding Science Fiction, November 1944)
  • “Trog”, by Murray Leinster (Astounding Science Fiction, June 1944)


Best Novelette
  • “Arena”, by Fredric Brown (Astounding Science Fiction, June 1944)
  • “The Big and the Little” (“The Merchant Princes”), by Isaac Asimov (Astounding Science Fiction, August 1944)
  • “The Children’s Hour”, by Lawrence O’Donnell (C.L. Moore and Henry Kuttner) (Astounding Science Fiction, March 1944)
  • “City”, by Clifford D. Simak (Astounding Science Fiction, May 1944)
  • “No Woman Born”, by C.L. Moore (Astounding Science Fiction, December 1944)
  • “When the Bough Breaks”, by Lewis Padgett (C.L. Moore and Henry Kuttner) (Astounding Science Fiction, November 1944)


Best Short Story
  • “And the Gods Laughed”, by Fredric Brown (Planet Stories, Spring 1944)
  • “Desertion”, by Clifford D. Simak (Astounding Science Fiction, November 1944)
  • “Far Centaurus”, by A. E. van Vogt (Astounding Science Fiction, January 1944)
  • “Huddling Place”, by Clifford D. Simak (Astounding Science Fiction, July 1944)
  • “I, Rocket”, by Ray Bradbury (Amazing Stories, May 1944)
  • “The Wedge” (“The Traders”), by Isaac Asimov (Astounding Science Fiction, October 1944)


Best Series
  • Captain Future, by Brett Sterling
  • The Cthulhu Mythos, by H. P. Lovecraft, August Derleth, and others
  • Doc Savage, by Kenneth Robeson/Lester Dent
  • Jules de Grandin, by Seabury Quinn
  • Pellucidar, by Edgar Rice Burroughs
  • The Shadow, by Maxwell Grant (Walter B. Gibson)


Best Related Work
  • Fancyclopedia, by Jack Speer (Forrest J. Ackerman)
  • ’42 To ’44: A Contemporary Memoir Upon Human Behavior During the Crisis of the World Revolution, by H.G. Wells (Secker & Warburg)
  • Mr. Tompkins Explores the Atom, by George Gamow (Cambridge University Press)
  • Rockets: The Future of Travel Beyond the Stratosphere, by Willy Ley (Viking Press)
  • “The Science-Fiction Field”, by Leigh Brackett (Writer’s Digest, July 1944)
  • “The Works of H.P. Lovecraft: Suggestions for a Critical Appraisal”, by Fritz Leiber (The Acolyte, Fall 1944)


Best Graphic Story or Comic
  • Buck Rogers: “Hollow Planetoid”, by Dick Calkins (National Newspaper Service)
  • Donald Duck: “The Mad Chemist”, by Carl Barks (Dell Comics)
  • Flash Gordon: “Battle for Tropica”, by Alex Raymond (King Features Syndicate)
  • Flash Gordon: “Triumph in Tropica”, by Alex Raymond (King Features Syndicate)
  • The Spirit: “For the Love of Clara Defoe”, by Manly Wade Wellman, Lou Fine and Don Komisarow (Register and Tribune Syndicate)
  • Superman: “The Mysterious Mr. Mxyztplk”, by Jerry Siegel and Joe Shuster (Detective Comics, Inc.)


Best Dramatic Presentation, Short Form
  • The Canterville Ghost, screenplay by Edwin Harvey Blum from a story by Oscar Wilde, directed by Jules Dassin (Metro-Goldwyn-Mayer (MGM))
  • The Curse of the Cat People, written by DeWitt Bodeen, directed by Gunther V. Fritsch and Robert Wise (RKO Radio Pictures)
  • Donovan’s Brain, adapted by Robert L. Richards from a story by Curt Siodmak, producer, director and editor William Spier (CBS Radio Network)
  • House of Frankenstein, screenplay by Edward T. Lowe, Jr. from a story by Curt Siodmak, directed by Erle C. Kenton (Universal Pictures)
  • The Invisible Man’s Revenge, written by Bertram Millhauser, directed by Ford Beebe (Universal Pictures)
  • It Happened Tomorrow, screenplay and adaptation by Dudley Nichols and René Clair, directed by René Clair (Arnold Pressburger Films)


Best Editor, Short Form
  • John W. Campbell, Jr.
  • Oscar J. Friend
  • Mary Gnaedinger
  • Dorothy McIlwraith
  • Raymond A. Palmer
  • W. Scott Peacock


Best Professional Artist
  • Earle Bergey
  • Margaret Brundage
  • Boris Dolgov
  • Matt Fox
  • Paul Orban
  • William Timmins


Best Fanzine
  • The Acolyte, edited by Francis T. Laney and Samuel D. Russell
  • Diablerie, edited by Bill Watson
  • Futurian War Digest, edited by J. Michael Rosenblum
  • Shangri L’Affaires, edited by Charles Burbee
  • Voice of the Imagi-Nation, edited by Forrest J. Ackerman and Myrtle R. Douglas
  • Le Zombie, edited by Bob Tucker and E.E. Evans


Best Fan Writer
  • Fritz Leiber
  • Morojo/Myrtle R. Douglas
  • J. Michael Rosenblum
  • Jack Speer
  • Bob Tucker
  • Harry Warner, Jr.